Art Dubai 2014

Mark Twain once said “Thousands of geniuses live and die undiscovered – either by themselves or by others.”

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Rather grim, but there is some truth in that quote. Many artists work their whole lives to get the recognition and exposure that their work deserves but SO many remain unsuccessful in this quest in spite of it all.

This is where fairs like Art Dubai come into the picture!

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With over 500 participating, it allows artists from all over the world (emerging and established) some well-earned time in the sun. (literally!!!)

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With a strong focus on the Middle East, artists from the region gain global exposure and therefore, so much awareness is created. Art Dubai has an extensive, well-rounded programme which is filled to the brim with numerous tours, forums, discussions and workshops while attracting many prestigious art collectors from all around the world.

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From competitions like the Abraaj Group Art Prize, to workshops like the Sheikha Manal little artist programme, there truly is something for EVERYONE to see!

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Now in it’s 8th year, the fair continues to flourish …

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For opening night, I decided to channel my inner Betty Draper and so I opted for this gorgeous emerald-green full skirt from a local boutique called Dee by Dalia. Her chic vintage pieces set my heart aflutter. Check her website out here –

http://www.deebydalia.com/

Although artistic, Art Dubai is certainly one of the chic events where you can really go really fun and eccentric with fashion.

As I loitered around outside, I spotted many well dressed ladies. They wafted around in their wide pleated trousers, quirky turbans, neon accessories, bright kaftans and oversized sunnies! I dug it!

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Image courtesy Savoir Flair Magazine

Image courtesy Savoir Flair Magazine

Now, I’m not one for planning. I immediately set about aimlessly traipsing through the grand halls, enjoying getting “lost” and immersed in the artwork.

There’s such a huge amount of galleries, workshops and activities going on at Art Dubai. For this specific post, I have decided to focus more on the galleries and briefly describe some pieces that really attracted me.

Without further ado, here’s my round-up!

At Green Art Gallery, Kamrooz Aram’s piece “Tempered composition with three points” has a hazy and dreamlike quality.

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He is known to constantly layer his work, and then he scrapes it off to re work it. This results in a distinguishable multi dimensional quality. He exposes faint tracings in certain areas of the canvas and has used a simplified, child like floral motif. This shows that the use of florals can be sophisticated and prove more than just an adornment.

This statue “ Flesh of the Shadow Spirits” is created by Kendell Geers from Galerie Rodolphe Janssen and it is made from resin. A conceptual artist from South Africa, his work often has heavy political elements, typically concerning civil rights.

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I did a double take when I saw these beautifully crafted knives by Zoulikha Bouabdellah at Gallery Isabelle Van Den Eynde. I found it really interesting how she has taken an instrument that usually has connotations of violence or aggression, and given them a new lease of life with her intricate, arabesque inspired shapes.

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:mentalKLINIK created this quirky piece cleverly called “French Kiss. Two forces are linked together in perfect symmetry, giving a romantic sense of personification.

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The Breeder – a gallery based in Athens, featured Zoi Gaitanidou’s very tactile pieces. She uses embroidery to create elaborate tapestries that combine primitive figures and abstract patterns. She is influenced by tribal art.

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Mumbai based gallery Chatterjee and Lal presented a solo booth by one of my favorite Pakistani artists, Rashid Rana.

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For these pieces, Rana has re interpreted famous paintings such as “The Rape of the Daughters of Leucippus” by Peter Paul Rubens, and “The Oath of Horatii” by Jacques Louis David and has chopped them up into smaller fragments and scrambled them up – just like the surface of a Rubik’s cube.

He has selected these particular paintings specifically for their connotations on carnal violence, and perhaps misogynistic undertones which is something he feels he can resonate with regarding the political state of Pakistan/rise of islamic fundamentalism.

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It’s interesting how Imran Qureshi’s work deals with a similar theme too but he has an extremely different approach to it.

I find works by these two artists always seem to pull an emotional chord with me.

Another rather emotional piece is by Sydney based couple Sean Cordeiro and Claire Healy. Entitled “T+85_red&blue_diptych”, it is part of a collection of pixel-art images of space shuttle explosions which are created from pieces of Lego.

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This piece is dedicated to highlight a certain shuttle that exploded. The use of material is interesting as the Lego is not only to depict the tragedy itself, but it also seemed fitting as one of the women who died on the shuttle explosion was a teacher, therefore the Lego reminds us of children and the loss of innocence.

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This was shown at Gallery Wendi Norris which is based in San Francisco.

There were a few artists at the fair with really strong environmental themes in their work.

Take this very narrative piece of art by Indonesian artist, Prilla Tania from dgallerie.

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It is made from cut paper of various types and upon close inspection, it actually tells a whole story about deforestation in Indonesia.

There’s a primal and primitive element about it that I like. It reminds me of ancient art – the way her artwork “talks” just like hieroglyphics or cave paintings would. Fascinating!

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Also focusing on the environment, Nnenna Okore’s installations are made from discarded yet reusable materials such as magazines, newspapers string and plastic bags.

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Okore’s works brings a focus on consumerism, excessive wastefulness. She is represented by Omenka gallery, Nigeria.

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I loved this beautiful glimmering golden sculpture by Elmgreen and Dragset, from Victoria Miro Gallery in London. It is made from 24 carat gold-plated bronze.

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Frank Bowling from Hales Gallery combines an emotive use of colour stain and sprayed motifs combined with textural elements.

Frank Bowling, Ashton's Plunge, 2011, acrylic on canvas, 302.5 x 165 cm

This artist, originally from Guyana is actually 80 years old!

There are also some tactile qualities as stitching is sometimes incorporated in his work as an homage to his mother, who was a seamstress.

Frank Bowling, Ponsonby Welch, Overlooking Fryish Maze, 2012, acrylic paint on canvas, 304.8 x 188 cm [lowres]

His paintings relate to Abstract expressionism, Color Field painting and Lyrical Abstraction.

Mark Dion’s curious dark room in InSitu Gallery, contains various glow in the dark items and encourages us to reflect age-old philosophical questions regarding spirituality, science and art.

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Plus…it’s pretty groovy.

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I know it was a SUPER long post, but this was honestly just scratching the surface.

Hopefully with more initiatives like Art Dubai, an abundance of geniuses will continue to be discovered.

They, too will get their chance to tell their stories to the world …

"Forever These Words Unsteadily Will Live" by Fred Eerdekens

“Forever These Words Unsteadily Will Live” by Fred Eerdekens